This is overblow.com, the objective of this site is to collect as much information on the diatonic harmonica technique called overblow or overbend, in one place. We hope to be able to clear up misunderstandings and teach people how to play overblows with ease and confidence.
Overblow.com is also the home of the chord and scalefinder for all harmonicas and custom tunings.
The latest addition to this site is Ludo Beckers page of soundsamples. Ludo plays some weirdly tuned harmonicas and uses a lot of overblows.
If you have any suggestions for the content of this site or might have material you would like to share please feel free to send us a message:
info@overblow.com
Tinus has been accepted to the Royal Conservatory of The Hague where he is now studying jazz on the diatonic harmonica.
Read all about the entrance exam on Tenhole.com
As of september 2007 Tinus will be teaching a harmonica course at the cultural center of the Technical University in Delft. For details about the course see the site of the TU Delft cultural center.
A while back I made a text only version of this site and also a version of the harmonica scalefinder that works with talking computers .


I am gonna practice my arse off , cheers mate. oh just one question, do you essentially need to set up the reeds of the harp to get all the overblow bends and stuff?. I hope not, since I am all thumbs and fingers..
I have a request: Could you please add to Scalefinder the Major 6th variant on chromatic bebop tuning? This is the tuning preferred by William Gallison which is shown here: http://www.angelfire.com/music/harmonica/beboplayouts.html#C6Bebop
Thanks again!
thank so !!!!
Thanks for the tip.
Gustavo Herrera from Málaga (spain)
Thank you and keep on good work!
Best regards form Slovenia
Aleksej Dolinšek
I just sent an E-mail to Ludo after finding your web-site and I have to thank you very much for all the good information. It is very helpful and you are filling a great need, regarding the chromatic expansion of the diatonic harmonica.I asked Ludo for more info about gapping the reeds. That is the only part of your info that I thought something was missing; at least to me. How do I determine the distance from reed to plate? I know there are people who use machinist feeler gauges to get it right. Help! Keep up the good work.
Arnie.
leandro chiussi
http://www.leandrochiussi.aablues.com.ar
The principle of playing overblows can be learned in a very short period of time. Understanding how it works doesn't take much time at all. Learning to play them fast, in tune and with a timbre equal to that of the other notes takes years rather than weeks.
For the users of this site the most obviuos new feature is the search box in the right hand upper corner. This will help you find the articles that you need.
Love the web site, do you still play jazz, and where and how do I use your site to help do this.
Cheers mate
Mike
You might not believe it now, but it is possible to play that hole 7 overdraw as soft as a whisper, almost inaudible.
Thanks Tinus for the making of your sites and for your job to make the harmonica a more advanced musical instrument.
Pablo from Argentina
Sorry my english.
You can now choose to have an email send to you whenever somebody adds a comment to a topic you have commented on.
Try it, its fun :-)
Tinus
(I'm still working on that threadfollower :-) )
major scales: http://overblow.com/?menuid=199
blues scales: http://overblow.com/?menuid=200
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