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Overblow Technique on the Diatonic Harmonica
The diatonic harmonica, as its name indicates, is designed for playing the notes of a diatonic scale. On standard Richter tuned diatonics these are the notes of the major scale. The full scale can be played on the second octave, but in the first and third octave some notes of the scale are missing.

When we look at the C harmonica and the C major scale, the missing notes in the first octave are the F and the A, in the third octave the B is missing.
These notes can be played by bending.

The blow- and drawbends add a large number of notes to those that can be found on a Richter tuned diatonic, however not all 12 notes that are used in western music can be played on the Richter diatonic by using bent notes.

The notes that are missing are, when we look at a C harmonica:
- The Eb in the first octave.
- The Eb, F# and Bb in the second octave.
- The C# and Ab in the third octave.

These notes can be played by using overblows and overdraws, giving a complete chromatic scale over three octaves.

 
Chromatic scale - C Diatonic
 

 
User Contributed Notes
 
19-01-2010 12:32
@Ken: is that the high pitched squeel or the low one where the blowreed joins in with the overblown note? For the former you have to take a look at the page "waxing the rivet end" for the latter you need to work on your ability to choke the blowreed. Concentrate on choking the blowreed instead of on trying to play the overblow: bend down the blow note until it chokes and keep it there, without getting the overblown note. when you get the choke increase pressure slowly without losing the choke and without having the overblown note sound. That willgive you more control over the blowreed.
19-01-2010 02:37
Tinnus,
What must I do? I have great control, musicality, and experience but everytime I try to overblow I get that squeally sound like the note is sickly and strained. I have tried closing the gap of the reed to no avail. what am I missing?
Thank you,
Ken
Richmond VA
03-07-2009 11:30
You are not wasting your time overblowing the sp20. I reccomend that harp to my students and many of them overblow the sp20 succesfully.
You will probably damage the harp, but that goes for any harp you learn to overblow on.
03-07-2009 11:19
Hi
I really appreciate people who have the generosity to share their info, so thanks.
Can anyone tell me if I am wasting my time attempting overblows on a 'Special 20'?
...and am I possibly going to damage the harp?
Cheers
BB
14-05-2009 01:32
In the example I use the overblows in holes 1,4,5,6 and the overdraws in holes 7 and 9. The other overblows aren't difficult but the notes they produce are already available on the harmonica as normal blow or draw notes.
13-05-2009 23:06
Mike
Hello Tinus:
If overblows can be accomplished in holes 1-6, why does your example only play the 4,5 and 6 overblow? Are the notes on holes 1-3 too difficult? or just too obscure and are not used very often?

Thank You
31-01-2009 12:46
Hey John,

Overblows can only be played on holes 1 to 6 on a regular diatonic. In holes 8,9 and 10 you can blowbend. Bent notes go down in pitch overblows go up in pitch. On holes 7 to 10 you can overdraw and you do not need a magic harp for it. Check out the scalefinder to see which notes are where: http://www.overblow.com/index.php?menuid=26
31-01-2009 11:09
The harmonica of choice for me to do overblows is the Honer Golden Melody. You will find it to be a plastic comb harp and more air tight. you may practice overblows on holes 4,5,6,8,9, and 10. On some special harmonicas you can get an special overdraw on the 7 hole.

Practice practice practice. I have a small pile of broken harps from over blowing on them one that even cracked the #4 draw reed. As when you overblow the draw reed vibrates to make the desired tone.
01-10-2008 13:32
gene
"can any one sujest a good harmonica tab site"

www.harptabs.com
02-09-2008 02:22
can any one sujest a good harmonica tab site
14-03-2008 17:53
After 3 weeks of trying I managed a 1 overblow and after 7 weeks have just managed a dirtly squeeky 6 over blow along with the shadow of a 4 overblow. 5 is really tricky. Overdraws seem just as hard if not more but leaving those till after a get a hang of the ob's. Thanks for you help!
30-08-2007 00:18
There is a lot of info on the web for the beginning harpplayer. The best place to start is this:
http://www.angelfire.com/tx/myquill/
29-08-2007 23:50
l live in australia and l love the blues. lve been playing the harmonica for 4 mths any info, tabs that l can learn would be great.
thanks happy playing
06-11-2005 17:23
T
Just to say that after much head scratching and squeaky hooting on my harmonica I just this second managed my first overblow on 6 blow whilst browsing your site!! Well I just had to let you know and say thank you!! Haha, I now have one more note with which to annoy the neighbours...
22-07-2005 20:13
I'm afraid this isn't Joe's site but mine. There is an interview with Joe read it here: http://overblow.com/?menuid=169
09-03-2005 02:19
Joe
we should do a video on harp repairs and modification. I am a cameraman working for cbc television for 25 years at the toronto station in canada. Lot of experience in video and film production. Also play harp in chicago blues style for over 35 years. Let me know what you think of the idea.
regards
rockin rich
10-08-2004 18:44
I have just listened to your chromatic scale played on the C diatonic blues harp. ohhh wow .. thats total control
I was just about to give up learning the theory of playing my harmonica and carry on just "doing it".
This music, scales, and postion thingy is doing my head in .... but i want to learn it. After hearing that scale I realise what a long road it is from where I am now... still must keep plodding on. Thank you for the insperartion.
06-05-2004 12:41
Check out the scalefinder for a complete overview of all the overblows available.

http://www.overblow.com/index.php?menuid=26
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